Commercial Print Packaging Publication Photography

True Biz

Designed by Jack Smyth

design for Sara Novic's 2022 novel, True Biz, published [...] history. The cover depicts 2 of the three main characters
Cultural Printed Publication

Across Borders – Across the Board Book 2

Designed by Cath Buckley at CI Studio

Book 1, this book details 20 projects between January 2020 – September 2020. We carried [...] palette. Published in 2022, this book is a showcase of
Cultural Printed Publication Print Editorial

Catflap 2

Designed by Simon Sweeney, Shauna Buckley at Other Office

Catflap is a queer writing periodical from Outburst Arts. Again edited by Derry poet Mícheál McCann, this second issue covers everything from the desolation of a post-revolution pseudo-french video g...
Cultural Printed Publication

GOT DAMP

Designed by Paul Bailey at Paul Bailey

was an ongoing exchange over 2 years with 55 households from [...] Arts Centre, Dublin in 2023, as part of an expansive
Cultural Website Digital Interactive

Co-Art.eu

Designed by Emily Loughran, Lenka Nagyova, Karen Hanratty at Path

three years between January 2020 and December 2022— aimed to [...] Directive, following WCAG 2.1 Level AA guidelines.
Website Corporate Digital Interactive

Business to Arts Website

Designed by Emily Loughran, Karen Hanratty at Path

accessible and meets the WCAG 2.1 Level AA guidelines.
2023 Archive Commercial Typeface Typography

Reckham

Designed by Max Phillips at Signal Type Foundry

and Egyptian in the darkest. №2 and №3 Series represent [...] along the way. Along with 24 static styles, the full
Corporate Livery An Post

An Post Livery

Designed by Éanna O_Shea, David Torpey at Image Now

redesign their Livery Fleet 2.0, seeking a more modern and
Commercial Identity

West of Dingle Lemon Syrup

Designed by Shane Kelleher

Sea Salt. Handmade using only 2 natural ingredients. It’s not
Cultural Website Typography Digital Interactive

A website for poet Alicia Byrne Keane

Designed by Fábio Bernardo Silva

Strength, at the end of 2023 was a catalyst for the [...] Guidelines (WCAG) 2.0 for colour contrast, with
Cultural Print Identity Wayfinding

Longest Way Round, Shortest Way Home

Designed by Alex Synge at Alex Synge

disused 1950s Pump House No. 2, made accessible to the [...] and panels. A large format, 2-colour double-sided visitor
2024 Archive Cultural Printed Publication Print Editorial Typography Art direction Publishing

Council: Issue 2

Designed by Aisling Hannon

Council is a magazine which focuses on Irish subculture and politics. It was created to fill a gap in reporting that mainstream media in Ireland neglects, with more raw stories from the underbelly of...
Commercial Identity Digital Art direction

Chirp: making families worlds friendlier

Designed by Rachel Broaders, Max Kruseman at Image Now

were chosen to represent the 2 sides of the brand – the
2024 Archive Charitable Other

Making the Unseen Unmissable

Designed by Roisin Keown at The Brill Building

homelessness on October 11 2024.The figure that is ‘seen’ [...] At present there are 2,099 families experiencing
Commercial Object / Prop Photography Art direction Advertising

Handmade Soap Company Brand Refresh, Set Design

Designed by Vivienne Quinn at Play Nice Studio

Working closely with the company founder we came up with the shoot concept and art directed a suite of new imagery for the brand’s update. We developed six sets to showcase the four fragrances for aro...
Commercial Packaging Food and drink

BiaSol Oat bites

Designed by Gerard Whelan

USP’s: 1. Tastes great 2. Good for your gut 3. Good
Commercial Moving Image Object / Prop Photography Food and drink Art direction

White Mausu Brand Refresh Photo Assets

Designed by Vivienne Quinn at Play Nice Studio

in his studio in Dublin 2.
Cultural Printed Publication Print Exhibition Contemporary art Visual art Publishing

Sam Gilliam: Sewing Fields

Designed by Alex Synge at Alex Synge

of painting, Gilliam (1933–2022) transformed the medium with [...] publication with flaps, 2 fold-out pages, foil-blocking
Environmental Identity Moving Image Education Poster Typography Digital

Change Lab 2025

Designed by Conor Clarke, Adam Szalowski at Conor Clarke and Company

Design. The theme for their 2025 exhibition was THE CITY AS A
Identity Commercial

Midnight Logo

Designed by Cillian Griffith at Midnight

Creating something magical for Midnight. Creating a logo for a new branding agency is no easy task. For Midnight the logo needed to represent confidence and craft with a hint of magic. The name came f...

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